THE ZOOM H5 FLEXIBLE AUDIO FOR VIDEO PERFECTION

The DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound, from professional users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control.

Four XLR mic inputs with phantom power are included on the DR-70D, enough to cover busy scenes. The High-Quality HDDA(High Definition Discrete Architecture) Mic Preamps  include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Each input has a limiter and low cut filter available for controlling volume. Also included is Dual Recording mode, which records a safety copy of your audio at a lower level to prevent distorted takes. Quality components like 5532 op amps are used throughout for the clearest audio possible.

Tracks on the DR-70D are captured to SD card, SDHC or SDXC media – up to 128GB cards are supported. The recorder has tripod mounts on the top and bottom of the unit, allowing it to be mounted on a camera, a follow-focus cage, or used standalone. Other production friendly features include a slate tone, low-noise buttons, a powerful headphone output, and standard AA battery power.

Uniquely designed for the needs of filmmakers, television producers, advertisers, and documentarians, the DR-70D packs multitrack recording into a package compact enough to use with any camera.

Mix and match microphone inputs with the built-in microphones

Four XLR/TRS inputs are built-into the DR-70D. The four-channel design enables combinations of shotgun microphones, lavaliere mics, and the built-in stereo mic to be recorded individually. Channels 1 and 2 can be set to stereo input and channels 3 and 4 can be set to the built-in mics, making a variety of mic configurations possible.

TASCAM’s dynamic HDDA mic preamps provide wide headroom for low distortion

Microphone preamps do much of the work to convert your mic-level signals to recordable levels, so they have a big impact on the quality of the audio that is recorded. The DR-70D uses TASCAM HDDA microphone preamps – created through careful selection of parts. An NE5532 op-amp was selected for its outstanding effect on audio quality. Through a mix of discrete architecture and hand-picked components, TASCAM has achieved an equivalent input noise level of −120 dBu.

The A/D converter is made by CIRRUS LOGIC, similar to those used in the TASCAM DR series of linear PCM recorders. This high-quality converter – miles better than those included in DSLR cameras – ensures quiet, clean audio recording. Audio resolutions up to 96kHz/24-bit are supported.

Designed for use with DSLR cameras

The DR-70Ds design is as compact as possible to stay out of the way while filming. The bottom of the unit has tripod screw threads for mounting under your camera or on a follow-focus cage. A removable camera attachment screw and hot shoe for the top of the unit are also included. The DR-70D can be attached in the way most convenient for the user by placing it between a tripod and the camera, or on top of the camera with a hot shoe mount.

Other features like an audio slate tone, camera and headphone outputs make the DR-70D the ultimate recording system for digital filmmakers.

The DR-100MKII is a high-end linear PCM recorder within TASCAM’s handy recorder lineup that supports the 24bit/96kHz format.
By leveraging TASCAM’s long-career as a professional recording device brand, and incorporating on-site feedback, a refined recorder worthy of being called a “handy high-end recorder” was born.

Improved quality while maintaining the usability of the DR-100

The enhanced hardware composition built on a conventional model, the DR-100, is the biggest feature of the DR-100MKII.
The solid body and equally large independent left/right adjustable rotary input volume knob allows for precise adjustment due to its larger size.
Needless to say, it is also capable of adjusting level differences between left and the right.
Mechanical switches used for secure operation and speedy setups have been distributed across six functions.
A digital input jack is located on the side, with its line output independent from the headphones, allowing for a high level of sound quality line output that would be impossible with shared connectors.
The external inputs include unbalanced line input in addition to a locking XLR input connector, compatible with a +4dBu line level input. Headroom of 20dB has been secured, supporting audio output of images for broadcasting and acoustic equipment.

Higher sound quality attained by implementing a microphone amplifier that adopts high sound quality analog circuits and discrete parts

The DR-100MKII achieves detailed sounds through its meticulously designed high sound quality analog circuit.
By equipping a microphone amplifier with discrete parts has further improved on the S/N ratio.
As a whole, an S/N ratio of 92dB and a HD+N of 0.01% (max) was achieved.
In addition to the unidirectional high sound quality stereo condenser microphone, the omnidirectional stereo microphone useful for such purposes as recording meetings has improved sound qualities compared with conventional models.

Factory-installed remote controller that eliminates touch noise

Furthermore, a remote controller that eliminates noise from touching the unit has been factory-installed.
In addition to enabling operations via wireless infrared, a 2WAY remote control has been included that allows for wired operation in case users wish for secure, reliable operation.
Other accessories that are included are a soft case useful for carrying the device around, Li-ion batteries, and a fur windscreen.
When the DR-100MKII needs to be run for a long period of time, users can connect the device to the optional PS-P520 AC adapter and the BP-6AA external battery pack.

The DR-100MKII delivers high sound quality recording, a sense of security when working on-site, and high level of versatility that provides a reliable, high sound quality recording environment even in the most demanding sites.