- 5-channel mini mixer
- XLR balanced microphone input with volume control
- RCA stereo inputs with volume control
- 1/4″ stereo inputs with volume control
- RCA stereo outputs
- 1/4″ instrument level output
- 18 Volt AC adapter included
Samson S-mix – Mini 5-Channel Mixer
The S-mix is a 5-channel compact mixer packed with high-end mixer features. The S-mix features a balanced microphone input on an XLR connector and includes phantom power for connecting condenser microphones. There are two Super-Z, high impedance line inputs on 1/4-inch connectors. There is a stereo channel with two inputs on RCA connectors. Individual volume controls for the mic, lines and stereo channels are also included for enhanced control over the connected signals. And just because this unit is miniature, don’t be surprised by its great sound and reliability thanks to high quality components and solid build construction.
Based on 0 reviews
Samson S-phantom – Mini 48-Volt Phantom Power Supply0 out of 5(0)
The S-phantom gives you an in-the-field, on location solution for powering your condenser microphones that need 48-volt power. The S-Phantom is a 2-channel, 48-volt phantom power supply capable of powering most any condenser microphone. The S-Phantom is a perfect solution for applications where the use of condenser microphones is desired and the mixer, recorder, PA, or amplifier to be used does not provide phantom power on the microphone inputs.SKU: n/a
Samson C-que8 – 4-Channel Headphone Amplifier0 out of 5(0)
Take the headache out of headphone monitoring with the perfect compact headphone amp. With the ability to personalize mixes, control individual volume and tone, and plug in eight sets of phones at once, the C-que8 is the single solution to multiple monitoring issues. The C-que8 is a four-channel headphone amplifier that gives you fine-tuned control over individual levels and mixes. In addition to eight outputs, we’ve included independent volume control on each channel and a 6-segment LED indicator that shows the output for each channel, bringing the visual element to your audio. The channels also have a shape EQ switch to reduce the mid range and offer tone control for each channel, so listeners can manage their own personalized mixes. There is a main volume control as well to give you the option for overall level adjustment. Link outputs also allow the use of more than one C-que8 in the instance of large-group monitoring.SKU: com06
Samson QH4 – 4-Channel Headphone Amplifier0 out of 5(0)
Channel Your Sound.
You’ve positioned your microphones, set your levels and everyone’s ready to record. Now, you need a way for each performer to hear themselves. That’s where the Samson QH4 comes in… The QH4 is a 4-channel headphone amplifier designed to distribute your audio to up to four individual headphones, each with its own volume control. Its compact design is perfect for use with any studio or desktop workstation, as well as with your laptop or smartphone when you’re recording on the go.
In Side… And Out
The QH4 features two balanced 1/4″ inputs to connect with your mixer or recording interface, as well as a stereo 1/8″ Aux input that’s perfect for playing music via your smartphone or another line level device. In addition to the four stereo 1/4″ headphone outputs, the QH4 provides a 1/8″ Aux Out that can be used to daisy chain mutilple QH4s together.
The four independent high-power amplifier channels deliver clean, crisp audio to up to four sets of headphones, operating between 16–600Ω. And power does not diminish even when all four channels are being used. Engineered with an ultra-low noise floor and wide dynamic range, the QH4 is a tremendous value compared to other headphone amplifiers on the market. Also, the QH4’s Master volume control and Mute switch make controlling the overall level of your headphones a breeze.
Check Your Phase
Before bouncing your mix, you should always check to ensure that it’s compatible with mono speaker systems. The QH4 features a global Mono button, which allows you to quickly check the mono compatibility of your tracks. If you notice that some of your audio is missing, you should check the phase of your recordings. This feature also allows you to take a split left and right feed from a stereo interview and send both tracks to each side of your headphones. This is great for quickly monitoring a podcast or recording with split tracks.
Whether you’re tracking multiple performers in a studio, recording a podcast, watching a video with friends or just kicking back listening to some tunes, the QH4 provides great sound at an amazing value.
Samson S-com plus – Stereo Compressor/Limiter0 out of 5(0)
The S-com plus is a highly adaptable stereo compressor/limiter in an efficient single rackspace design. It is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation. S-com plus’s comprehensive and wide-ranging controls provide extensive manipulation of audio dynamics, even in the most complex situations.Each channel features a wide range of variable control. A feature-rich Compressor section includes variable Threshold, Ratio, Attack and Release controls. Samson‘s SKD (Smart Knee Detector) circuit dynamically adjusts the compression curve to ensure a musical result. Our exclusive AEG (Auto Envelope Generator) function simplifies optimum settings by constantly analyzing the audio input and automatically adjusting the attack and release parameters based on the changing level. Key Inputs and Outputs are included for externally processing the control voltage.The Expander/Gate features a variable threshold level and switchable release time (fast or slow). The Gate switch changes the downward expander ratio from “light” to “hard” gating for control ranging from subtle to an obvious effect. A dedicated Peak/Limiter with variable control provides protection against peak and overload independently of the compressor. When used in combination with the Compressor the Peak/Limiter offers even more precise control over dynamic levels.A functional De-esser improves audio quality by removing “S” from vocals and sibilance from overly bright signal sources such as cymbals. The Enhancer switch engages the EFR (Enhanced Frequency Recovery) circuit, which restores high frequencies that are sometimes diminished by heavy compression. Extensive metering includes Input/Output, Gain Reduction, De-esser Level, Gate Open/Close and Limit.SKU: com2