Frequency Response | +0, –1 dB, <10 Hz to 80 kHz, +0, –3 dB, <10 Hz to 120 kHz |
---|---|
Distortion (THD & IMD) | |
THD | < 0.007% 20 Hz to 20 kHz 0.003% @ 1kHz typical |
SMPTE IMD | < 0.005% (7 kHz/60 Hz, 4:1) |
Dynamic Range | >115 dB, Mic In to Main Out |
Noise Floor | |
Signal-to-Noise Ratio | –87 dBu (ref. +4 dBu, Mic In to Main Out, 32 channels and Main Mix levels at unity) |
Equivalent Input Noise (E.I.N.), 20 Hz to 20 kHz Bandwidth, 150Ω source impedance | –129.5 dBu @ +60 dB gain |
Mic Output Noise (Direct Output) | –100 dBu (minimum gain) |
Residual Output Noise | |
Main Out | –100 dBu (Channel and Main Mix levels off) |
Main Out | –85 dBu (24 channels and Main Mix levels at unity) |
Common Mode Rejection Ratio (CMRR) | >70 dB @ 1 kHz, Gain @ maximum |
Crosstalk | |
Adjacent Inputs | < –95 dB @ 1 kHz |
Input to Output | < –85 dB @ 1 kHz |
Phantom Power | +48 VDC |
Equalization | |
Mono Channel EQ | |
High | ±15 dB @ 12 kHz |
High Mid | ±15 dB, sweepable from 400 Hz to 8 kHz |
Low Mid | ±15 dB, sweepable from 100 Hz to 2 kHz |
Low | ±15 dB @ 80 Hz |
Stereo Channel (Aux Input) EQ | |
High | ±15 dB @ 12 kHz |
High Mid | ±15 dB @ 2.5 kHz |
Low Mid | ±15 dB @ 400 Hz |
Low | ±15 dB @ 80 Hz |
Mixer Rated Output | |
Main Outs | +4 dBu |
Aux Send | +4 dBu |
Group Send | +4 dBu |
Matrix Out | +4 dBu |
Maximum Rated Output | +21 dBu @ Main XLR and TRS outputs |
Maximum Input Levels | |
Mic Input | +21 dBu, Gain @ unity, pad out |
Mic Input | +30 dBu, Gain @ unity, pad in |
Line Input | +21 dBu, Gain @ –20 dB |
Tape Input | +30 dBu |
Stereo Return | +21 dBu |
Maximum Voltage Gain | |
Mic Input to: | |
Main Out | 90 dB |
Group Out | 80 dB |
Aux Sends | 86 dB |
Monitor Out | 103 dB |
Matrix Out | 105 dB |
Phones Out | 103 dB |
Line Input to: | |
Main Out | 70 dB |
Group Out | 60 dB |
Aux Sends | 66 dB |
Monitor Out | 83 dB |
Matrix Out | 85 dB |
Phones Out | 83 dB |
Stereo Return to: | |
Main Out | 53 dB |
Group Out | 43 dB |
Aux Sends | 49 dB |
Monitor Out | 66 dB |
Matrix Out | 68 dB |
Channel Level LED (Sensitivity) | 0 LED = 0dBu (normal operating level) |
VU Meters | |
Main Left and Right, Compressor Input, 12 segments | Clip (+20), +15, +10, +6, +3, 0, -2, -4, -7, -10, -20, -30 0 LED = 0dBu |
Compressor Gain Reduction, 12 segments | 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 15 dB |
Dimensions (H x W x D) | 39.8″ (1011 mm) x 39.8″ (1011 mm) x 21.9″ (555 mm) |
Weight | 48.0 lb (21.8 kg) |
Analog Mixer
Mackie Onyx mix console:32channel 4Bus live mixing console
- 32-channel / 4-bus premium analog mixer designed for live sound
- Onyx microphone preamps with class-leading fidelity and dynamic range on every channel
- 4-band Perkins EQ on every channel for warm, musical sound
- 6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc
- Built-in assignable stereo compressor/limiter designed by THAT® corporation
- Giant 12-segment LED ladders for Main output and compressor/limiter
- 6 Aux sends with Pre/Post switches
- 2 dedicated stereo channels
- 100mm Panasonic™ faders on all channels, Groups and Mains
- Same physical size as the popular SR32•4 mixing console
₦850,000.00
brands | Mackie |
---|
There are no reviews yet.