Digital Mixer
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Digital Mixer
TASCAM 32-track Digital Portastudio DP-32SD
With its great sound and powerful features, the TASCAM’s biggest Portastudio yet.
TASCAM’s DP-32SD Digital Portastudio records an unmatched 32 tracks to solid-state media. Up to eight tracks can be recorded at a time through its combination XLR and 1⁄4” combo jacks. Input processing like compression and limiting are available during recording, as well as guitar amp simulation and multi-effects for use with the instrument-level input. A color LCD and channel strip knobs make mixing fast and creative. The included 4GB SD card can be replaced with up to 32GB SDHC media or swapped with other cards between projects.
Excellent visibility and intuitive operation delivers stress-free recording
A stress-free user interface has been equipped, building upon the Portastudio series’ concept of intuitive operation.
Various full-color LCD screens and self-illuminated buttons offer superb visibility.
Measures have been made to increase operability, for example faders have eliminated layer structures make operating all tracks feel intuitive.
Even the channel strip is equipped with encoders with unified LCD screens and colors.
The operational unit moves in a way that delivers music production free of stress.Simultaneous 8 track recording with 8 XLR/TRS combo connectors
The DP-32SD has 8 XLR-TRS combo inputs that can withstand multi-microphone recording with drums.
Phantom power supply is also possible, with the INPUT H compatible with direct guitar inputs.
With dynamic effects, which are indispensable for high-quality recording, up to 8 effects can be used for each input.
In addition, the DP-32SD comes with built-in guitar multi-effects, tuner, and metronome, allowing users to complete recording preparations with this device alone.Supports high-quality mixing thanks to its professional effects
When it comes to mixing, users can perform a speedy mix-down with intuitive operation thanks to the full-color LCD, encoders, and faders of the DP-32SD.
Mixing effects that are available include reverbs and spatial effects that you can use to enhance your music, resulting in audio with quality as high as that of professional studio productions.
After mixing is done, final touches can be added by using the built-in mastering effect.
From the moment you switch the device on to mastering your audio production, the DP-32SD creates a professional production environment without a computer.Even in loud environments, the high output powered amplifier makes headphone monitoring easy
In order to ensure a high-quality production environment, the outputs and monitor systems have been upgraded.
Separate to the stereo output, a MONITOR OUT that can adjust monitor volume has been installed, and the TRS output terminals are able to make balanced connections with the monitor speaker.
In addition, a 70mW/ch headphone amplifier that allows loud volume monitoring has also been installed.
The slim-shaped DP-32SD Digital Portastudio offers a music production environment that doesn’t require a computer.SKU: TM0004 -
Digital Mixer
TASCAM 6-track Digital Pocketstudio DP-006
A perfect music sketch pad with built-In microphones for multi-track recording anytime, anywhere
Song ideas can happen anywhere. With the TASCAM DP-006, you’ll be ready. Jot down ideas for your songs using this professional sounding multi-track recorders. For extra battery life, you can add TASCAM’s BP-6AA external battery pack
A user interface that enables intuitive operation similar to cassette MTR
Easy to operate, just like a cassette MRT, with recording preparation achievable in just two steps after turning the device on. A high-quality microphone is already built-in, so there is no need for an external mic.
Each track has a designated knob so that users can intuitively operate each track without having to rely on the screen. SD/SDHC cards are used for recording media, allowing data to be transferred to the computer via USB.A multi-recorder that anyone can use to easily record their song ideas
Adding the DP-006 to your production setup will increase the scope of your music production infinitely. The music sketchpad can easily accumulate ideas and will capture that melody line as it pops into your head, all in high audio quality, further enhancing your music production.
“Music Sketch Pad” – A Songwriting Tool That Anyone Can Use
Battery-Powered Compact Multi-Track Recorder
Song ideas can happen anywhere. With the DP-006, you’ll be ready. Jot down ideas for your songs using this professional sounding multi-track recorders. For extra battery life, you can add TASCAM’s BP-6AA external battery pack.Built-In High-Quality Stereo Condenser Microphones – For Easy On-the-Spot Recording
The DP-006 has two condenser microphones built into the front of the units. Record vocals or acoustic guitar anytime without the need for extra equipment or set-up time. TASCAM carefully chose the best sounding microphones for our recorders. Modeled after the top-selling DR series microphones, you can be assured high-quality sound.
The DP-006 even includes a tripod mount for versatile set-up and placement.Simple, Easy-to-Use Interface – Designed Like an Analog Cassette MTR
The DP-006 is optimally designed for on-the-spot recording. No unnecessary features were included that might complicate the recording to ensure easy functionality, and dedicated knobs make recording faster than digging through menus. Designed with Portastudio functionality, TASCAM’s POCKETSTUDIOs are the easiest songwriting scratchpads you can buy.Ultra Light Weight Design – Carry It With You Everywhere
The DP-006 features ultra light-weight designs to ensure portability, weights only 13 oz. (excluding AA batteries)Tuner and Metronome Included
The DP-006 includes a fully functioning chromatic tuner and a metronome.Two Analog Inputs for External Microphones and Electric/Acoustic Guitar
The DP-006 also equips two inputs with 1/4″ jacks, these terminals provide to connect an external microphone, an electric-acoustic guitar and a line-level device like a synthesizer. Cables sold seperately allow you to connect an iPad or other sound device.Flexibility for Music Production
Record to SD/SDHC Card (up to 32GB) With High-Speed Data Transfer via USB2.0
The DP-006 records to widely available SD/SDHC card media (4GB card included). In addition, it can connect to PCs via USB2.0 for high-speed data transferring. All song ideas can be transferred via USB or SD card readers to and from the units at any point in the recording process. Files can be used in DAW software for further editing and production.Quickly Fix/Re-record Tracks with the UNDO/REDO Function
Fix performance errors using the Undo and Redo functions. Instant Undo frees you to try new ideas without worrying about erasing your last take.File Import and Export by Wav Format
The DP-006 supports file import/export by WAV format. Also, mono file and stereo file are available offering various advantages for example, at first, you import an instrumental song which created by a DAW. Then, your ideas capture by the DP-006. After recording, these ideas can export from a DP, you can be editing and mixing raw song data and recorded data on your DAW.Track Edit Function (CUT, CLEAN TRACK, etc)
The DP-006 provides editing features such as Clone track, Clean out, Silence, Cut, and Open√SKU: TM0021 -
Digital Mixer
TASCAM 8-track Digital Pocketstudio DP-008EX
Easy overdub recording and DAW transfer through a built-in, high sound quality microphone
Music sketchpad that can record anywhere – a must-have for any songwriterThe DIGITAL POCKETSTUDIO DP-006 and DP-008EX are battery-operable multi-track recorders.
Easy to carry around, they are perfect as a song-writer’s external-use music sketchpad.A user interface that enables intuitive operation similar to cassette MTR
Easy to operate, just like a cassette MRT, with recording preparation achievable in just two steps after turning the device on. A high-quality microphone is already built-in, so there is no need for an external mic. Each track has a designated knob so that users can intuitively operate each track without having to rely on the screen. SD/SDHC cards are used for recording media, allowing data to be transferred to the computer via USB.
Choose DP-008EX for more sophisticated music production
If you wish to obtain a higher-quality music sketchpad, the DP-008EX comes recommended. In addition to the XLR inputs that enable condenser microphones to be plugged in, the DP-008EX comes equipped with an input equalizer and reverb, enabling simple sound production. The mastering function can increase sound bass. With these functions in place, you can wow your band members with high-quality demo files from the DP-008EX.
A multi-recorder that anyone can use to easily record song ideas
Adding the DP-006 and DP-008EX into your production system will increase the scope of your music production infinitely. The music sketchpad that can easily accumulate ideas will capture that melody as it pops into your head, with a high audio quality, further enhancing your music production.
“Music Sketch Pad” – A Songwriting Tool That Anyone Can Use
Battery-Powered Compact Multi-Track Recorder
Song ideas can happen anywhere. With the DP-006 and the DP-008EX, you’ll be ready. Jot down ideas for your songs using these professional sounding multi-track recorders. For extra battery life, you can add TASCAM’s BP-6AA external battery pack.Built-In High-Quality Stereo Condenser Microphones – For Easy On-the-Spot Recording
The DP-006 and the DP-008EX have two condenser microphones built into the front of the units. Record vocals or acoustic guitar anytime without the need for extra equipment or set-up time. TASCAM carefully chose the best sounding microphones for our recorders. Modeled after the top-selling DR series microphones, you can be assured high-quality sound. The DP-006 even includes a tripod mount for versatile set-up and placement.Simple, Easy-to-Use Interface – Designed Like an Analog Cassette MTR
Both models are optimally designed for on-the-spot recording. No unnecessary features were included that might complicate the recording to ensure easy functionality, and dedicated knobs make recording faster than digging through menus. Designed with Portastudio functionality, these POCKETSTUDIOs are the easiest songwriting scratchpads you can buy.Ultra Light Weight Design – Carry It With You Everywhere
The DP-006 and the DP-008EX both feature ultra light-weight designs to ensure portability. The DP-006 is 13 oz, and the DP-008EX is 21.5 oz. (without AA batteries)Tuner and Metronome Included
Both models include a fully functioning chromatic tuner and a metronome.Two Analog Inputs for External Microphones and Electric/Acoustic Guitar
Both models have two inputs with 1/4″ jacks, these terminals provide to connect an external microphone, an electric-acoustic guitar and a line-level device like a synthesizer. Cables sold seperately allow you to connect an iPad or other sound device.Flexibility for Music Production
Record to SD/SDHC Card (up to 32GB) With High-Speed Data Transfer via USB2.0
Both models record to widely available SD/SDHC card media (4GB card included). In addition, both models can connect to PCs via USB2.0 for high-speed data transferring. All song ideas can be transferred via USB or SD card readers to and from the units at any point in the recording process. Files can be used in DAW software for further editing and production.Quickly Fix/Re-record Tracks with the UNDO/REDO Function
Fix performance errors using the Undo and Redo functions. Instant Undo frees you to try new ideas without worrying about erasing your last take.File Import and Export by Wav Format
Both models supported file import/export by Wav format. Also, mono file and stereo file are available. This feature offers various advantages. For example, at first, you import an instrumental song which created by a DAW. Then, your ideas capture by the DP-006 or the DP-008EX. After recording, these ideas can export from a DP, you can be editing and mixing raw song data and recorded data on your DAW.Track Edit Function (CUT, CLEAN TRACK, etc)
Both models provide editing features.
DP-006: Clone track, Clean out, Silence, Cut, Open
DP-008EX: Copy paste, Copy insert, Move paste, Move insert, Open, Cut, Silence, Clone track, Clean outDP-008EX
- Eight mono tracks
- CD-quality recording (16bit/44.1kHz)
- Two tracks simultaneous recording/ eight tracks simultaneous playback
- Dedicated stereo master track available
- Record to SD/SDHC card (Up to 32GB)
- 2 Built-in omni-directional condenser microphones
- Microphone sensitivity can be selected from 2-positions (Low/High)
- Two TS 1/4″ or XLR mic/line inputs
- INPUT A can connect high-impedance instrument directly (Like an electric-guitar)
- Phantom power supply
- Independent LEVEL/PAN/Reverb SEND knobs for each track
- Two RCA unbalanced line inputs
- 20mW/ch headphone output
- Footswitch ready with polarity switching (Notice: can’t use RC-3F)
- 128×64 dot-matrix LCD with backlight
- Four AA batteries operation up to 6.5 hours (When recording, using the eneloop battery)
- Insert effects for input channels (2-band shelving EQ, compressor, exciter, de-esser)
- Mastering effects (2-band shelving EQ, multi-band compressor, normalize)
- Auto analysis mastering function
- 2-band shelving EQ for each track
- Reverb effects (Hall1/2,Room,Studio,Plate1/2)
- Optional AC adapter ready (TASCAM PS-P520)
- Can connect an external battery pack (TASCAM BP-6AA)
- Direct locate function by jog-wheel
- Repeat playback between IN/OUT point
- Track edit functions(COPY PASTE, COPY INSERT, MOVE PASTE, MOVE INSERT, OPEN, CUT, SILENCE, CLONE TRACK, CLEAN OUT)
- Bounce function allows recording of more six tracks
- UNDO/REDO(UNDO HISTORY) function
- Chromatic tuner and metronome included
- High-speed data transfer by USB2.0 connection
- Backup and restore songs
- File import/export by Wav format (mono/stereo)
- Export stereo master file as stereo wav format
- 4GB SD card included
SKU: TM0019 -
Digital Mixer
TASCAM DP-24SD
No simpler choice than the DP-24SD, for complete music production on a desktop
The DP-24SD Digital Portastudio is a 24-track workstation, allowing eight tracks of simultaneous recording. The built-in mixer includes everything you need for a professional-sounding mix, from EQ and reverb to amp simulation and multi-band mastering effects. The Digital Portastudio series creates finished productions without the need for a computer, instead using a simple-to-use control surface to keep you creative.
User interface that delivers hassle-free recording
The concept behind the PORTASTUDIO series, which has a history spanning over 30 years, is one of intuitive operation.
The series’ biggest feature is its hassle-free user interface built upon this concept.
Various full-color LCD screens and self-illuminated buttons offer superb visibility.
Furthermore, the same number of faders as tracks have been included, eliminating layer structuring and making volume control more intuitive.
These measures have been taken to provide the user with a music production experience free of hassle.Simultaneous 8-track recording with 8 XLR/TRS combo connectors
The DP-24SD has 8 XLR/TRS combo inputs that can withstand multi-microphone recording with drums.
Phantom power supply is also possible, including direct guitar input. With dynamic effects, which are indispensable for high-quality recording, up to 8 effects can be selected for inputs simultaneously.
In addition, the DP-24SD comes with built-in guitar multi-effects, tuner, and metronome, allowing users to complete recording preparations with this device alone.
This means the time you would normally spend on preparation is freed up for music production instead.Supports high-quality mixing thanks to its professional effects
When it comes to mixing, users can perform a speedy mix-down with intuitive operation thanks to the full-color LCD, encoders, and faders of the DP-24SD.
Mixing effects that are available include reverbs and spatial effects that you can use to enhance your music, resulting in audio with quality as high as that of professional studio productions.
After mixing is done, final touches can be added by using the built-in mastering effect.
From the moment you switch the device on to mastering your audio production, the DP-24SD creates a professional production environment without a computer.Even in loud environments, the high output powered amplifier makes headphone monitoring easy
In order to ensure a high-quality production environment, the outputs and monitor systems have been upgraded.
Separate to the stereo output, a MONITOR OUT that can adjust monitor volume has been installed, capable of making balanced connections even with large monitor speakers. In addition, headphone amplifier that allows loud volume monitoring has also been installed.
The DP-24SD DIGITAL PORTASTUDIO is a recording system in which musicians can perform essential professional band recording and audio production at the comfort of their own home.SKU: TM0003 -
Digital Mixer
Tascam DR-680 MkII
For those wanting to record and mix multiple sound sources on location, could the DR-680 MkII be the best tool for the job?
For recording gigs or capturing audio for small-budget films, a handheld digital recorder is sometimes all that’s needed. The best designs include XLR inputs and phantom power, and quite a number of them now are capable of multitrack recording too, but a significant drawback of such small devices is that they can only comfortably accommodate a few inputs, outputs and hardware controls. By way of example, Zoom’s H6 just about qualifies as a ‘handheld’ recorder, and it manages to include as many as six XLRs inputs (when an optional pair are attached in place of microphones). But when fully connected it becomes an unwieldy object at the centre of a mass of leads, and there’s simply no room in its casing for channel outs or very many hardware controls. So while it’s a very capable device, it probably isn’t going to be suitable for regular multitrack location recording.
Tascam’s DR-680 MkII, on the other hand, is too large to qualify as ‘handheld’. What it loses in compact convenience for less demanding tasks, though, it gains in other areas: in particular, it has plenty of room to accommodate inputs, outputs and function-specific buttons and switches. It’s still very portable, however, and can be worn quite comfortably using the supplied shoulder strap.
Making Contact
The DR-680 MkII sports four balanced XLR/TRS ‘combi’ sockets, plus two quarter-inch jack sockets, all of which are routed to dedicated recorder tracks. A further two tracks provide the user with the chance to record either a stereo mix of the six inputs, or an additional stereo signal received by a S/PDIF or AES3 input connector. Alternatively, the digital input can be used to run the recorder as a ‘slave’ unit, in conjunction with a cascade option, plus there’s a digital output for when it is set as ‘master’ and in control of a second ‘slave’ recorder.
In terms of outputs, there are six phono sockets, which are quite logically positioned on the opposite edge to the inputs alongside a USB socket, a memory card slot accepting SD/SDHC/SDXC media, plus the aforementioned digital/sync I/O. Signals can be monitored using a headphone jack on the front panel, just to the left of the small back-lit screen, or played back through a monaural speaker that’s hidden behind a grille on the top surface.
Near the speaker grille is an impressive-looking mass of 15 switches: six toggle the inputs between line and mic level; six switch the preamps’ mic gain between low and high; and the final three turn 48V phantom power on or off for input pairs 1+2, 3+4 and 5+6.
Fine adjustment of the input levels is achieved by pressing a Rec Trim button on the front, and then adjusting a set of on-screen virtual knobs one at a time, using the Value/Matrix continuous controller knob/button. The level and pan position of the recorded tracks are adjusted in the same way, using the same controller, but this time in combination with the Mix Pan and Mix Level select buttons. Although the screen is only 45 by 25 mm, the virtual trim, pan and level knobs are not unreasonably small, and the universal Value/Mark knob is an effective tool for adjusting them — Tascam have struck about the right balance between dedicated switches and virtual knobs for different functions.
Curiously, the functions of the Value/Mark knob (which include scrolling through menus and selecting settings) are partly duplicated by the combined functions of the data wheel and Enter/Mark button, which are both found on the top of the recorder. It’s easier to look at the screen and operate the controls on the front than it is to see both the screen and top-panel controls at the same time, so Tascam’s logic here is a bit lost on me — still, having a choice of controls is hardly a bad thing.
When the recorder is worn over the shoulder using its strap (or is cradled in the CS-DR680 weather-resistant padded case accessory), the front panel faces upwards where the incumbent engineer can see it clearly, so this is where the designers have quite rightly placed the Pause and Record buttons and their associated LEDs. Also included here is a row of buttons relating to the channels, which solo their feed when held down and can also be used to arm/disarm tracks, or ‘gang’ together controls. However, the transport buttons for playback are all on the top panel next to the 15 switches and data wheel, thereby making it a little less convenient to check takes when using the recorder in the shoulder-strap position.
The DR-680 MkII sports more physical controls than most recorders, and a clear screen that’s easily visible when the device is shoulder-worn.
Recording at 192kHz/24-bit comes at the expense of all but two of the record tracks, but if the sample rate is reduced to a more-than-acceptable 96kHz you can record to the full eight tracks, and there are plenty of other word lengths and sample rates to choose from.
To power the recorder, you can either connect it to the mains via the supplied adaptor, or insert eight AA batteries in a compartment on the underside. The review model came with a couple of two-pin plugs which attach to the adaptor, but as neither were compatible with UK plug sockets and I didn’t have a suitable adapter handy I used Eneloop rechargeable batteries for the review. Rechargeables were definitely a good idea because, very early on, I left the recorder in Standby mode by accident, and the next time I tried to do some work I found that it had drained the batteries despite lying idle!
Physically, the recorder loosely resembles the SQN range of portable mixers, and I’d wager that this is no coincidence — for over 30 years, the SQN-4 and its siblings have been regarded as industry-standard location mixers, valued by engineers for their rugged build, flexible features and tried, tested and refined layout. While the DR-680 MkII looks the part, and is certainly capable of carrying out similar functions to the SQN family, it’s not engineered to the same exacting standards. For example, the SQN mixers are designed to work at temperatures of -20 to +60 degrees Celsius, whereas Tascam’s design has an operating range of 0 to +40 degrees Celsius — clearly only one of these devices is suitable for those David Attenborough gigs in the jungle and arctic! But for most jobs, it’s fair to say that the DR-680 MkII’s limitations in this respect won’t be tested. Though falling short of SQN’s lofty standards, the build quality is not bad, and it’s far more convenient to have the Tascam’s preamp/mixer, additional channels and on-board recording facility all in the one box.
Second Coming
As its name indicates, the MkII is a modified version of the original DR-680, which went on sale back in 2010. visual comparison of the two reveals hardly any differences, though, because almost all the alterations are to the internal functionality. (This suggests that both the Tascam designers and owners of the MkI are already reasonably happy with the ergonomic side of things.)
Perhaps the most significant update is the introduction of a new preamp design, featuring Tascam’s High Definition Discrete Architecture (HDDA). The release notes state that the preamps are an improvement on the old ones and that a new op-amp and capacitor combination is one of the key design modifications. Similarly, the designers have changed the built-in clock oscillator so that synchronisation with other digital devices is improved. The ability to record to high-capacity SDXC cards is another addition, as is compatibility with lithium-ion batteries (the latter offering a 150-percent increase in operating times).
The remaining changes are OS-related, and will already be familiar to those who have used the latest generation of Tascam’s handheld recorders. One is the introduction of dual-recording functionality, whereby duplicate recordings of the input can be made, with one version 12dB quieter than the level you set —so if your recording suffers from distortion generated by unexpectedly loud peak signals, you have a perfectly captured backup. The only real downside is that the ‘safe’ quieter versions have to be stored on the other tracks, thus reducing the number of unique tracks. Ideally, I’d like to see analogue limiters on-board (rather than the current post-A-D digital ones) as an alternative means of prevention, for those times when it’s desirable to preserve the track count — but no doubt the hardware cost would greatly increase as a consequence.
The final improvement makes it possible to import multitrack files for playback. Given that the recorder has six outputs, this makes it possible to use the recorder as a portable playback source of pre-prepared mixes and sound files, perhaps as part of a stage setup or presentation.
In Use
Navigating the DR-680 MkII’s menus is a very intuitive process and doesn’t really require help from the manual. Admittedly, I’m very familiar with the Tascam approach, having used a number of their handheld recorders in recent years. Nonetheless, one of the USPs of the current Tascam product range is the ease of use that’s achieved via the provision of as many dedicated controls as possible (rather than lots of nested menus and multi-function controls) and by not including extraneous headline-grabbing features.
I’m not totally convinced that all the controls are in the ideal location, but the overall layout is pretty good — and to be honest, I’m not sure how it could be improved, given that certain features have to be positioned alongside the screen to keep them in view when the recorder’s hanging from a shoulder strap. So I think a good practical balance has been struck here.
What I would like to see, though, is a little more information included on the main record screen — for example, an indication of when a track has a limiter or low-cut filter applied, and also perhaps some more detail in the level metering, so that peaks between -16 and 0dB can be more precisely calibrated. As it is, the metering is no more than a very rough guide and things like track limiters are only shown when the Function screen is called up. (If there are any Tascam engineers reading this, it’s something a firmware update could easily sort out…).
I didn’t have access to a MkI to enable a preamp comparison, but I was pretty impressed with the quality of those of the MkII. Slightly disconcertingly, the headphone preamp is a little noisy when turned up high, but the actual recordings I made using a (very decent) large-diaphragm condenser were very crisp, detailed and not at all lacking in bottom end, as is sometimes the case with slightly cheaper handheld devices.
Conclusions
For me, the name Tascam is synonymous with decent-sounding, easy-to-use, straightforward gear, and it’s a view that has only been fortified by my time with the DR-680 MkII. Sure I’d have liked it to run on fewer batteries, have been given a cleaner headphone amp, and to have one or two more hardware controls, but these are minor issues; they’re by no means deal-breakers. I’m confident that good-quality recordings can be made with this product, thanks in part to the improved preamp design, and that surely has to be the most important factor of all. And, with a street price just a touch over £500, it’s not bad value for money, either.
SKU: TM0005 -
Digital Mixer
TASCAM MIXING CONSOLE DM-4800 WITH EXPANSION CARD
The TASCAM DM-4800 is the ultimate digital console for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A “fat channel” strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than you’ll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch.
TASCAM’s DM-4800 fits seamlessly into the modern recording environment based around a computer DAW. With a single button press, the Remote layer provides a 24-fader control surface for control of premiere workstations such as Pro Tools, Logic, SONAR, DP, Cubase and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at up to 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the TASCAM DM-4800 adapts to the needs of any professional audio installation.
The Tascam DM-4800 is their full featured, flagship digital console with enough input and output routing for large-scale recording applications, live-sound recording and more. The mixer features 48-channels and 16-returns for a total of 64-channels at mix-down. 24 input channels feature XLR microphone, balanced 1/4″ phone line and analog inserts for routing to external processors. Among the digital I/O are three TDIF ports for connecting compatible 24-channel digital recorders, DAW hardware, etc.
Eight channels of ADAT light-pipe, S/PDIF and AES/EBU connections are also standard. A flat channel strip section provides easy access to channel control such as, aux sends, compression, EQ settings, etc. All channels feature LED ring encoders for pan, aux sends and EQ; providing an intuitive display without maneuvering through a menu-driven LCD display.
The on-board dual effects processor provides TC reverb and additional effects. With features that include 64-channels at mix-down, 24-buses, 24 mic/line inputs, 16-returns, automation support for your favorite DAW software and internal TC effects, the Tascam DM-4800 rivals digital consoles at double the cost. The DM-4800 delivers the power and flexibility for efficient use in professional studios, project studios, live sound recording, production studios, etc.
Full 24-Bit 96kHz Support
The DM-4800 features full 24-bit / 96kHz resolution without sacrificing channels or features.64 Total Channels at Mix-Down
With 48 channels and 16 returns, the DM-4800 boasts a total of 64 input channels at mix-down.DAW Software Automation Support
The console features built-in DAW control of all major applications.24-Channel TDIF Connections
Without any additional expansion options, the DM-4800 hosts 24-channels of TDIF and eight channels of ADAT optical inputs and outputs.New Channel Strip Controls
A fully functional channel-strip offers control over dynamics, EQ settings and aux settings without roaming through menus on the LCD.LED Ring Indicators
All input channels feature LED ring indicators for straightforward pan, aux and EQ settings.Expansion Card
Additional expansion cards are available for additional digital and analog connections including, AES/EBU, ADAT light-pipe, analog and FireWire connection to computers.Flexible Bus Routing
SKU: TM0001 -
Digital Mixer
TASCAM8-track Digital Portastudio DP-03SD
The simplest, and the best-sounding way to share your music with the world
TThe DP-03SD is an affordable way to get into TASCAM’s famed PORTASTUDIO system of making recording simple and affordable for musicians. The 8-track digital recorder captures your music at CD quality to affordable SD/SDHC cards, and a 4GB card is included with the recorder. With built-in microphones, effects, and mastering, the DP-03SD provides everything musicians need to record and share their music.
A user interface that allows simple operation like a cassette MTR
The DP-03SD has a simple body that enjoys intuitive operation similar to a cassette MTR but being able to perform 8-track recording with 2-channel simultaneous input.
The XLR terminal supports condenser microphones while the TRS phone terminals enable guitar and keyboard connections.
As such, various instruments that are typically used during a band recording session are supported.
In addition, the device is equipped with two high-sound quality condenser microphones that were developed using the technologies that TASCAM has fostered through their work with handy recorders. Users can easily engage in music production without having to prepare external microphones, anytime, anywhere, with the DP-03SDCreate professionally-mastered audio with the DP-03SD alone through mastering effects
Each track is equipped with level faders, pan knobs, and a controller for sending in-built reverb effects.
Independent EQ-specific knobs enable users perform a mix down intuitively.
Utilizing mastering effects will result in the creation a professional quality master track, all with the DP-03SD alone.The DIGITAL PORTASTUDIO DP-03SD is a professional multi-track recorder that boasts advanced functions despite its compact body, all while being easy to use.
SKU: TM0011 -
Digital Mixer
ZOOM LIVETRAK L-12
MIX, RECORD, MONITOR, PLAYBACK, AND REMIX
With the LiveTrak L‑12, you can finally mix, record, and monitor with a single piece of gear. It’s the only digital console that lets you mix your live performance and record up to 12 discrete channels – all while providing five individual custom headphone mixes.
EFFORTLESS LIVE MIXING
LiveTrak’s 12 discrete channels (eight mono plus two stereo) have a 3-band mid-parametric EQ and 16 built-in send effects. Its eight mono channels also have a dedicated compressor.
With all these controls plus its 12-segment LED metering, the L-12 offers just what you need for intuitive mixing.RECORD EVERYTHING, REMIX ANYWHERE
LiveTrak lets you record 12 discrete tracks up to 24-bit/96 kHz WAV audio to an SD cardwhile simultaneously mixing your live show. Tracks are recorded pre-EQ and effects, so they can be transferred to your favorite DAW
for further mixing and editing.*Effects, EQ, overdub, audio interface, fader modes A-E, and channels 13-14 (stereo mix) are not available in 96 kHz.
FIVE CUSTOM MONITORING MIXES
Each of LiveTrak’s five monitor outputs provides a unique mix, so every performer can create and save a mix that’s tailored to their preferences. Its headphone amplifier delivers volume that stands up in any live environment without the need for a separate headphone monitoring setup.
USB CONNECTIVITY FOR YOUR DAW
LiveTrak is also a 14-in/4-out USB audio interface with flexible routing options, offering unlimited possibilities. Class compliant mode, which enables connection with iOS devices, is also supported.*
*Apple Lightning to USB Camera Adapter required.
WHAT’S UNDER THE HOOD?
Our Best Mic Preamps Yet
At -128 dBu EIN with +60 dB maximum input gain, LiveTrak is equipped with the quietest and most advanced preamps we’ve ever made. Just wait until you hear how incredible it sounds.High-Definition Sample Rates
The L-12 supports sample rates up to 96 kHz when recording to an SD card, allowing you to record in high definition. In Audio Interface mode, the L-12 can record up to 48 kHz to a computer and an SD card simultaneously.Convenient Auto Recording
Record automatically by adjusting the L-12’s customizable audio input commands. Set it to start when the master fader detects a certain dB level, or use a guitar chord or snare hit to start the track. You can capture data up to two seconds before recording starts, in case a performance begins ahead of time.Versatile Operation Modes
The L-12 is equipped with several operation modes. Audio Interface mode lets you route inputs and outputs to any DAW.With USB Host mode, transfer projects and audio files to a connected USB flash drive. In Card Reader mode, the L-12 acts as an SD card reader, allowing you to transfer audio files to and from your computer.
SKU: ZM0003 -
Digital Mixer
ZOOM R-16 MULTI-TRACK MIXER RECORDER : INTERFACE : CONTROLLER
STUDIO-QUALITY RECORDING WHEREVER YOU GO
The Zoom R16 instantly transforms any environment into a recording studio. Not only does it offer 16 tracks for recording, it can also be used as a DAW control surface and audio interface, allowing you to craft great-sounding music both at home and wherever your travels take you. The R16 has it all: built-in stereo condenser microphones, 8 mic/line/instrument inputs for connecting external gear, a whopping 135 onboard DSP effects—even a chromatic tuner.
MULTITRACK RECORDING HAS NEVER BEEN EASIER
The R16 provides sixteen tracks for recording and playback (up to eight tracks can be recorded simultaneously) in full fidelity WAV format, making it ideal for both professional production and for use as a musical sketchpad. Battery operation allows for field recording and enables you to capture your musical ideas quickly. You can connect external microphones or line-level sources directly to the R16, or use the built-in stereo mic pair for minimal setup. You can also plug instruments such as electric guitar or bass right into the R16. When your multitrack recording is complete, you can use the R16’s internal mixer, complete with real faders, equalization, panning, and 135 built-in DSP effects—including amp models and mastering effects like multi-band compression—to create a stereo mix with studio-quality sound.
CONTROL YOUR DAW
If you use DAW (Digital Audio Workstation) software, you probably love mixing in the box but hate mixing with a mouse. The R16 provides the perfect solution. Its Mackie Control™ emulation enables the R16 to act as a full-featured control surface for popular DAWs such as Cubase, Logic, Ableton Live, and Sonar, adding physical faders and transport/status buttons that streamline the process of creating the perfect mix. In addition, five assignable function keys allow you to set marker points and initiate advanced editing operations.
ADVANCED FEATURES
The R16 offers eight inputs on combo connectors which can accept either XLR or ¼” balanced or unbalanced cables. All can handle mic- and line-level signals, and Input 1 can also handle instrument-level signals from passive or active electric guitars and basses. Phantom power of +48 volts can be applied to Inputs 5 and 6, allowing the use of external condenser microphones. There are dual balanced ¼” TRS output jacks and a headphone output with a dedicated volume control.
135 studio-quality DSP effects are provided, including insert effects such as equalization/dynamics processing and send-return effects such as reverb, delay, chorus, flanging, and phasing. In addition, there are guitar amp, bass amp, and mic preamp models, as well as effects specially designed for use on vocals and stereo instruments such as electronic keyboards, plus mastering algorithms such as multi-band compression. Effects can be applied during recording and mixdown, or can be used for playback only.The R16’s USB port allows it to send and receive digital data and to act as an 8-input/2-output interface for DAWs such as the included Cubase LE. All level meters and the onboard chromatic tuner remain fully operational when using the R16 as an interface, and when operating at a sampling frequency of 44.1kHz, input signal can be routed through the R16’s onboard DSP effects. You can even synchronize two R16s via USB for 32 tracks of playback and 16 tracks of simultaneous recording.
Just 6 AA batteries—either alkaline or rechargeable NiMH—are required for power. Battery life when using alkaline batteries is more than 4.5 hours, even during continuous recording. Alternatively, you can use the included AD-14 AC adapter, which allows you to power the R16 from any standard wall socket. The R16 can also be powered via USB when connected to a computer.
The R16 records directly to SD cards, with support for both standard SD and SDHC cards up to 32 gigabytes, for a maximum of 100 track hours. Using SD media for recording ensures increased reliability and means that you never have to be concerned about hard drive failure.
STATE OF THE ART EDITING WITH EVERY MULTI-TRACK RECORDER
The Zoom R16 comes with a free download license for Steinberg’s Cubase LE music production software, providing not just the ability to capture incredible audio in every box, but to do spectacular things with them.
Take your recordings to a more professional level. Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom R24, R16, and R8 purchase.
Currently shipping with:
Cubase LE8 for Mac OS X 10.9/10.10 and Windows 7/8/8.1For information on license activation and upgrades, visit our Steinberg Software support page.
SKU: ZM0006 -
Digital Mixer
ZOOM THE LIVETRAK L-20
All 20 inputs include a channel fader as well as dedicated mute and solo buttons. The 16 mono inputs include single-knob compression and gain control. Record or playback individual channels with the “Rec/Play” button.
EQ CONTROL
The L-20 provides a smooth 3-band mid-parametric EQ and a variable frequency low-cut for each channel. Use the “Select” button to apply Channel Strip settings to the selected channel.
EFX SENDS
The L-20 offers 20 built-in effects with adjustable parameters. Choose from delay and reverb effects, then apply them to any channel using two dedicated EFX busses.
BROAD CONNECTIVITY
The L-20’s combo inputs support XLR or ¼-inch connections. Channels 1-2 offer Hi-Z inputs for electric guitar or bass. Channels 17/18 and 19/20 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs.
NAVIGATION AND DISPLAY
The LiveTrak L-20’s bright, backlit LCD screen and encoder knob let you access an intuitive menu to create new projects, recall previous projects, and customize your recorder settings.
SLATE MIC AND METRONOME
Use the built-in slate mic to record comments or talk-back. Push the tempo button to program the metronome to your desired tempo.
TRANSPORT CONTROLS AND OVERDUB BUTTON
Transport controls include Record, Play/Pause, Stop, Fast Forward, and Rewind. The overdub button allows you to record additional tracks to your current project.
SIX CUSTOM MONITOR MIXES
The “Fader Mode” buttons allow you to design custom mixes for both the master and monitor outs. For each output, easily switch between a powerful headphone output and a balanced line output for stage monitors.
HEADPHONE OUTPUT FOR FOH
The L-20 includes a dedicated headphone output for front-of-house, enabling them to monitor any of the custom sub mixes as well as the master mix.
CUSTOM SCENE SETTINGS
Create and save up to nine different scenes to recall fader position, EQ settings, pan, mute, and more.
L-20 FEATURES
- 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity
- 22-track simultaneous recording, 20-track playback
- 22-in/4-out USB audio interface connectivity
- Records up to 24bit/96kHz audio to SD card
- 48V phantom power
- Hi-Z connectivity (channels 1-2)
- 26dB pad (channels 3-16)
- Built-in compression control (Channels 1-16)
- Solo buttons for individual channels
- Variable frequency low-cut control
- Main outputs plus 6 customizable monitor outputs
- Dedicated headphone output for sound engineer
- Scene saving function, up to 9 scenes saved at a time
- 20 built-in chorus, delay and reverb effects with adjustable parameters
- Two effect busses
- Built-in slate mic
- Class-compliant mode (for iOS compatibility)
- Compatible with Remote Mixer app for iPad
- Automatic recording starting/stopping capability
- Pre-record function
- Import/export projects with USB 2.0 host port
- Compatible functions for ZOOM FS01 footswitch
- Automatic power-save function
SKU: ZM0002